The open call for the free hybrid workshop “Environmental Storytelling in Times of Conflict” is extended to May 20.

If you are a Ukrainian or Ukraine-based photographer or photojournalist exploring conflict, the environment, or the intersection, apply for this free hybrid workshop, designed to support visual storytellers focused on the environmental consequences of war in Ukraine.

Through online sessions with international experts and editors, a 3-day workshop in Odesa, and individual mentorship with Inland photographers, participants will develop a strong body of work, refine their investigative approach, and learn how to pitch their project to international editors and institutions.

This initiative is supported by JournalismFund Europe.

Phyllis B. Dooney has photographs on view at this year’s Photoville Festival in New York City. Dooney’s work is part of "1492/1619: American Aftermaths,” a landscape of visual narratives about the ongoing reverberations of colonialism and enslavement in the United States.

Featuring work produced by 25 photographers—Black, Indigenous, Asian-American, Latino, and white—between 2021 and 2025, “American Aftermaths” reconsiders American history during a momentous chapter in the 21st century, bookended by the murder of George Floyd and Donald Trump’s assault on diversity, equity, and inclusion in the first year of his second term. The exhibition also serves to recognize the late, Sara Terry, the revered founder of TAP (The Aftermaths Project). Both the American Aftermaths and a Sara Terry retrospective installations will be on view at Brooklyn Bridge Park's Emma Warren Roebling Plaza from May 16-30, 2026.

In April, a new story by photographer Matjaž Tančič on Europe’s most unexpected climate engineers - beavers - was published in Sobotna priloga in Slovenia and on N1 in Croatia.

Developed in collaboration with Croatian journalist Andrea Milat, the project follows the animals across Slovenia and Croatia, documenting their return and the complex realities of coexistence; from biodiversity gains to tensions with local communities. The story examines beavers as a form of low-cost climate adaptation, reshaping rivers and landscapes while raising broader questions about how society lives with nature. The project was supported by JournalismFund Europe

In late 2025 in Colombia, photographer Alex Kemman followed the Comuneros del Sur, an offshoot of the National Liberation Army (ELN). In the misty mountains of Nariño, 6 armed groups are active. The Comueros aim to legalise goldmining to create sustainable peace, with elections coming up this is one of the last chances for successful peace process in Colombia. Working alonside journalist Bram Ebus, Alex Kemman documented the evolving peace process and examined how the formal legalization of illicit gold mining could influence prospects for stability.

Photographer Mathias Zwick went to Neuhof, on the outskirts of Strasbourg, with journalist Alice Ferber to document the diversity and solidarity that characterize this neighborhood, despite its troubled reputation. A feature story published in April in the special issue of Sphères magazine dedicated to Strasbourg.

Photographer Mathias Zwick documented Alsatian satirical cabarets, the result of a centuries-old tradition that became a discipline in its own right after the Second World War. Their performances draw on current events, blending the Alsatian language with social criticism and political satire. A feature story written by journalist Marion Durand, published in the special issue of Sphères Magazine dedicated to Strasbourg (April 2026).